I build worlds.
You walk
into them.
I produce, host, and design experiences that people remember as a feeling. From sound baths and pop-up elixir bars to existential hauntings, from outdoor movie nights and music-video premieres to Savannah’s most legendary bash — I build worlds and put people inside them.
All five senses. Every detail. The room is ready.
Available now · Los Angeles — event production, immersive experiences & experiential marketing
Three ways
I show up.
Concept development, vendor and food-truck coordination, logistics, bar programs, live entertainment, full execution. I have built events from napkin sketch to closing night and made every decision in between.
If it needs to exist in physical space and feel like something, I can make that happen.
I greet, guide, and hold the room. I am the first thing guests encounter and the last thing they remember. When I host, people feel expected — like the world was built specifically for them.
This is not emcee work. This is world-keeping.
The smell of the room, the sound, the texture of what’s in your hand, the visual world you’re standing in. I design the whole experience — not just the program.
Every sense has a job.
Worlds
already built.
Hatchet Granny
shows up.
My botanical beverage brand is also a live-events engine — it sponsors, pours, and activates at festivals, industry events, and parties. Proof that I know the vendor and sponsor side of an event, not just the stage.
The receipts.
Selected coverage of my events, archive work, and music-industry appearances.
The Guardian · GRAMMY Museum · MusicGoldmine · Expanding Dan · PS Audio · Copper · American Songwriter · NASA · Cosmic Dawn · The FM Club · The Vinyl Guide
The right fit
looks like
this.
Immersive entertainment companies. Brands launching products in the world. Venues, festivals, cultural institutions, museums, hospitality groups. Outdoor cinema and live-event series. Film and entertainment producers.
Anyone who believes the best marketing is an experience you can’t stop talking about. Anyone building a world who needs someone who knows how to hold a room.
If you’re picturing an immersive world you can walk through, a secret screening with a password, a studio’s premiere activation, or an art installation that also has a bar — you’re thinking about the right thing.
don’t feel produced.
They feel inevitable.